Sabtu, 25 Desember 2010

Was to Interweave Philosophical Ideas Into a Story

Virtually any literary work can be improved on fundamentally by including some aspect involving beliefs. What it actually equals is contemplating substantial questions, & truthfully looking for answers.

Limitless authors try to do this, no matter what the style of literature may be. The challenge is to do this adequately, without seeming preachy or pedantic. Not lots of works of fiction maintain the ideal tone, & lots of those that do sometimes go on to be regarded as classics.

Whenever a person is pulled in to a riveting narrative, they may fundamentally discover new possibilities that were otherwise off limits to them. To put it differently, a lovely storyteller can induce philosophical exploration in the reader without them even realizing it. & when you include a healthy dose of imagination, together with the different possibilities that it can bring, you have a great fantasy novel.

I have been learning & writing about religion & philosophy for well over fourteen years. As a result, I am definitely acutely aware of the intricate equilibrium between intellectual exploration & entertainment value. Both elements are important, but to do well at accomplishing this, entertainment value is significantly more important.

But still a substantial number of authors do this in their novels. often they think that they are being philosophical by taking this approach. But the reality is that there is not much true inquiry taking place in their novels. They have already reached their conclusions, & are not exploring fresh viewpoints. , they set out from the beginning to persuade us that their point of view is the right way.

Regrettably, some authors take a heavy-handed approach. These writers have already decided to make a specific philosophical point, & bend the story with the aim of achieving this. Such an approach is a misstep.

The prime directive is to always uphold the integrity of the story. When in doubt, pick what is best for the story. If there is a theme, it ought to grow naturally out of the story itself.

No matter what that is, I am reluctant to characterize it as philosophy. It is more akin to spiritual fundamentalism, minus the faith. Actual fiction writing is focused on taking the audience on a trek in the coursework of which they encounter the feelings that lots of of us undergo throughout the coursework of our lives. It is not at all about demonstrating a point or being pendantic. That may be what activists & gurus do, not actual authors.

It is fine to start with positive themes in mind, but the conclusions ought to seldom be predetermined. Otherwise the whole endeavor is contrived, & your audience will certainly perceive this.

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